Since December 1st Wabisabi-Keramik.de has it´s own official shop. It is my personal focus to not only sell ceramic but to explain, why, how and what is the influence of Wabi and Sabi. Therefore I have build the shop with much (probably too much) information. I believe, that some background information is essential to understand… Read More
A new porcelain and clay body Markus Böhm has developed a new porcelain body especially for usage in wood fires. Of course I needed to do some material tests with this porcelain. The body is stable at 1300°C, is getting translucent and shows the pink color effects caused by the minimal iron oxide contamination. The… Read More
This summer we had the stupid idea to develop a glaze that consists solely of materials that can be found on the shore of the Baltic Sea. Talcum and flint stone are easy to identify but what about feldspar? The moraine rubble contains many different materials and granite can have high amounts of feldspar (besides… Read More
To measure the degree of reduction in the wood fired kilns, I fired a set of glaze samples in a capsule (with a piece of coal for additional reduction).In the following picture are the results of the capsule (inner side) and of the kiln (outer side) shown. 1: Hamada 2: Pale Ash 403 3: Local… Read More
Some years ago the Chi Lin Nunnery built a Chaschan kiln in the Chinese mainland (Dongguan City) in the old tradition of early Chinese cloisters and nunneries. To study old pottery techniques, master Gao Feng was asked to train new potters. Every year, two potters finish their education in Dongguan. In spring 2017 I was… Read More
2017 I had again the opportunity to admire the results of the (2016) tea pot competition of the local potters. ” order_by=”rand()” order_direction=”ASC” returns=”included” maximum_entity_count=”500″]
HongKong´s local potters participate every two years in a tea pot competition (Tea Ware by Hong Kong Potters Competition). Several categories exist, even school classes have their own category. The results are exhibited for several months in the “Flagstaff House Museum of Tea Ware“, a subsidiary of the HongKong Museum of Art. ” order_by=”rand()” order_direction=”ASC”… Read More
The Some-Bright-Green Glaze is formulated especially for wood firing with salt and soda. Iron as well as copper and titanium are responsible for the green colors. Very nice is also the modification of the recipe with additional 3% Copper Oxide.
Nezumi-Shino (mouse-gray Shino) is very famous and is achieved by overlaying a Shino glaze (e.g. Currie Shino 2b) over a Gosu slip. Then the surface needs to become textured. The original Gosu receipe (e.g. from B. Leach) is difficult to create, as one of the ingredients is black Cobalt Oxide, which is very special and… Read More
Glossy Nuka Glaze is getting especially nice, if metal oxides cause color streaks (e.g. iron oxide or cobalt oxide). 56,2 Custer Feldspar 11,2 Talcum 11,2 Bone Ash 33,8 Flint 22,4 Whiting 11,2 Bentonite 37 Wood Ash 16,8 Frit 3134
Easy white glaze, getting dull in combination with ash.
The combination of the two coloring components Cobalt and Titanium result in many different green colors. However, Cobalt blue can show eventually. 140 Nepheline Syenite 4 Gerstley Borate 16 Ball Clay (Hymod AT) 10 Talcum 30 Petalite 2 Cobalt Carbonate 4 Rutile
This glaze achieves it´s beauty by superposition of a white and red Shino glaze. Half of the white glaze is enriched with 10% red iron oxide. The red Shino is applied first. When dried, the white Shino is thickly applied and then decorated while still wet. The red Shino from below shall be visible.
Glazes with a high iron content (Temmoku, Oilspot, Tea Dust) are the logical continuation of the Seladons glazes (low iron). Bailey´s Red Glaze The recommended sp. gr. is 145.